Lou Harrison A Centenary Celebration 2017

SFCMP Presents How Music is Made

Composer Talks and Open Dress Rehearsals 2017-18


Facilitated by SFCMP Artistic Director, Steven Schick

In our How Music is Made series, composers reveal their motivation behind the notes and together we discover the inspiration and narrative behind each piece. We invite you to become privy to these secrets by joining us for an open dress rehearsal of the piece in the afternoon, followed by a discussion about the work with the composer, followed by the full concert that evening. Bring your best music-loving friends and join the intimate conversation that was made for the curious.
#HMIM

All talks are free and open to the public.

Sat, Oct 21, 2017  How Music is Made 
at the Taube Atrium Theater 401 Van Ness Ave, SF, CA 94102

4:00-4:30 pm Open Dress Rehearsal of “Procession Time” by Nicole Mitchell
4:30-5:20 pm Composer Talk with Nicole Mitchell
7:30 pm Concert

 

 

Vivian Fung

Vivian Fung

Ryan Brown

Ryan Brown

Fri, Jan 19, 2018 How Music is Made 
at SF Conservatory of Music 50 Oak St, SF, CA 94102

4:00-4:30 pm Open Dress Rehearsal of “Twist” by Vivian Fung
4:30-5:20 pm Composer Talk with Vivian Fung and Ryan Brown
7:30 pm Concert

 

 

 

Carolyn Chen

Carolyn Chen

Fri, Mar 23, 2018 How Music is Made
at Z Space 450 Florida St, San Francisco, CA 94110

6:15-6:45 pm Open Dress Rehearsal of “Cold mountains, one belt, heartbreak green” by Carolyn Chen
6:45 – 7:15 pm Composer Talk with Carolyn Chen
7:30 pm Concert

*part of the Pauline Oliveros Celebratory Weekend

Side by Side with SFCMP

SFCMP Education Professional Development Side by Side

Professional Development for College Music Students
Call for Participation

Join the San Francisco Contemporary Music Players (SFCMP) in rehearsing and performing John Zorn’s “Cobra” and Frederic Rzewski’s “Les Moutons de Panurge” led by Grammy-nominated SFCMP percussionist and frequent Zorn collaborator William Winant and coached by members of SFCMP.

These contemporary classical works are scored for any number of musicians playing instruments, and any number of musicians who are non-instrumentalists. “Cobra” and “Les Moutons de Panurge” consist of a system of detailed rules without a preconceived sequence of events. Led by a “conductor” (Winant), the performers are prompted to execute different instrumental techniques, sonic textures, or playing styles in various ensemble formations, resulting in a dynamic and often surprising real-time musical compositions.

Through the rehearsal process, each performer will discover new ways to relate to their instrument, challenging them to rethink their musical habits and to develop new ways to approach music making, both as an individual and as a member of an ensemble.

This side-by-side collaboration is open to college music students. We are seeking 12-15 performers that hail from every department, not just the classically-trained students – improvisers, non-improvisers, computer musicians, electronic musicians, classically trained musicians, jazz musicians, and vocalists.

We hope to encourage fun and thoughtful collaboration between disparate musical disciplines, fostering friendships with the potential to last beyond the concert performance.

ABOUT SFCMP

The San Francisco Contemporary Music Players is the most longstanding new music ensemble outside the East Coast, and the largest new music ensemble in the Bay Area. SFCMP performs large-ensemble, innovative, and artistically excellent contemporary classic music.

SCHEDULE

January 16, 17, 18, & 19, 2018
Rehearsals
January 19, 2018
4:00–4:30pm — Open Dress Rehearsal
4:30–5:30 pm — Composer Talk with composers Vivian Fung and Ryan Brown
6:30pm — Pre-concert discussion with SFCMP ensemble members
7:30pm — Concert

 

In partnership with the San Francisco Conservatory of Music

Contact info@sfcmp.org for more information

SFCMP in the News

SFCMP Recordings

Recordings

SFCMP Recordings

SFCMP Season Excerpts

Side by Side Professional Development with SFCMP

SFCMP Education Professional Development Side by Side

 

SFCMP helps to develop emerging performers and audiences for contemporary classical music in the San Francisco Bay Area.

In our Side by Side program, pre-professional musicians rehearse and perform in a professional concert with the our ensemble.

 

 

2016-17 partnership with the San Francisco Conservatory of Music

Students and SFCMP Mentors:

György Ligeti “Chamber Concerto” (1969) (21’)
Tod Brody, flute; Kyle Bruckmann, oboe; Peter Josheff, soprano clarinet; Alex Camphouse, horn; Richard Worn, double bass; Kate Campbell, piano; Roy Malan, violin; Clio Tilton, viola; Helen Newby, cello; Andrew Friedman, SFCM student, bass clarinet; Albert Yan, SFCM student, violin

Michael Pisaro “ricefall” (18’):
Tod Brody, Kyle Bruckmann, Peter Josheff, Alex Camphouse, Kate Campbell, Roy Malan, Susan Freier, Stephen Harrison, Richard Worn, Andrew Friedman, SFCM student; Albert Yan, SFCM student, Trevor van der Velde, UC Berkeley student, Zhoushu Ziporyn, UC Berkeley student

Event Details 
Friday, Jan 20, 2017
4:00 pm Open dress rehearsal and composer talk with Kate Soper and Richard Festinger
7:30 pm Concert

Eventbrite - Works by Richard Festinger, Michael Pisaro, Kate Soper, and Gyorgy Ligeti $35 $15 students

 

SF Search 2016-17 – Under-30 Call for Scores

Michelle Zheng, Roger Kim and Ben Zucker are the winners of SF Search 2016-17. Selected works of the winners will be performed by San Francisco Contemporary Music Players at the April 2017 Lou Harrison Centenary Celebration.

Roger Kim

Michelle Zheng

Ben Zucker

With his focus on the openness of Lou Harrison’s melodies and the lushness of microtonal harmonies, Roger Kim has constructed a piece of quiet beauty and generous space for the performer.  From her childhood, near Lou Harrison’s Aptos home, Michelle Zheng was able to experience first hand the unique qualities of the light along the mid-Californian coast and its unique blend of cultures.  In her work, full of musical contrast and shifting emotions, she captures this mixture with grace and skill.   Benjamin Zucker simultaneously explores the dual personality of Lou Harrison, as an American composer indebted to the musical language of the gamelan, and as an American experimentalist.  Through an unusual notational and musical scheme, Zucker captures both.

Roger Kim Quartet with one theme (2017) (5’)
violin, cello, clarinet, piano

Michelle Zheng Rift (2017) (6’)
violin, cello, clarinet, piano

Benjamin Zucker Sarabandisms (2016) (6’)
violin, cello, bass clarinet, piano

 

2016-17 CALL FOR SCORES IS NOW CLOSED. CHECK BACK FOR 17-18 CALL FOR SCORES.

3d Illustration of Great Empty Hall

SFCMP presents
SF Search 2016-17
Bay Area
Under-30 Call for Scores

San Francisco Contemporary Music Players (SFCMP) artistic director Steven Schick is pleased to invite applications for SFCMP’s SF Search 2016-17: Under-30 Call for Scores.

Composers from the San Francisco Bay Area who are under 30 years of age on January 9, 2017, are invited to submit an original composition that if selected, will be performed by the Players. Each composer is asked to submit a score no more than six minutes in length for the following instrumentation: piano, violin, cello and clarinet. The work should reflect the influence of composer Lou Harrison.

Three under-30 composers will be selected by a panel consisting of artistic director Steven Schick, composer Ken Ueno and two SFCMP Players. Each selected composer’s work will be read in a rehearsal on Friday, April 21, followed by feedback from San Francisco Contemporary Music Players musicians, artistic director Steven Schick, and composer Ken Ueno. The three selected works will be performed on Saturday, April 22, 2017, by the San Francisco Contemporary Music Players on its two-day Lou Harrison Centenary Celebration Weekend Festival celebrating the Harrison Centennial. Selected composers will also receive an archival recording of the work and a $500 stipend.

The deadline for applications is January 9, 2017.

Download Call for Score Guidelines
Apply by January 9, 2017

Questions? Call us at 415-278-9566 or email us (see guidelines)

FREQUENTLY ASKED QUESTIONS

Are there available doublings for the clarinet player, e.g., bass clarinet?
Yes, if the playing of the two instruments is by a single player.

Would the use of small objects and percussion by the ensemble be permissible?
As long as the objects/percussion can easily be played by non-percussionists and, if needed, the composer must provide them.

Can the piano be prepared?
Absolutely, as long as it won’t damage our rented concert piano.

How comfortable are the players with alternate tunings?
If the score contains alternate tunings, the panel would like to see the score before submitting it.

Is the full ensemble instrumentation required?
Yes

January 20, 2017

in the Laboratory Series

 

 

 

SFCMP-features-960x345-in-the-Laboratory

Discover the music that expands the space of the traditional
concert experience through experimentation and exploration

Fri, Jan 20, 2017   Richard Festinger, Michael Pisaro, Kate Soper, Gyorgy Ligeti
including Fri, Jan 20, 2017 open dress rehearsal and composer talk with Richard Festinger and Kate Soper
Eventbrite - Works by Richard Festinger, Michael Pisaro, Kate Soper, and Gyorgy Ligeti $35/$15

 

Become a Season Subscriber

Subscribers Receive:
Tickets to 6 concerts and 2 community events
Plus
– 15% discount on single tickets and ticket fees waived
– 2 guest passes to SFCMP’s spring event “Sound and Wine”
– 1 ticket to Lou Harrison documentary film showing
– VIP invitation to “How Music is Made” professional composer talks and SFCMP dress rehearsals
– Observer pass to master classes by Artistic Director and SFCMP Players

$170 Purchase a Subscription Today 

Eventbrite - SFCMP 2016-17 Season Subscription

Questions? Call us at (415) 278-9566 or e-mail info@sfcmp.org

 

 

SFCMP-features-960x345-in-the-Laboratory

 

 

 

 

 

 

 

 

 

April 21 and 22, 2017

at the Crossroads Series

SFCMP-features-960x345-at-the-Crossroads

Explore the music of iconic contemporary classical composers
performed alongside cutting-edge emerging composers from
California and beyond

Fri and Sat, Apr 21/22, 2017  Lou Harrison: A Centenary Celebration. Includes Friday night film screening;
3 Saturday concerts; and composers talks. Works by Lou Harrison, Jimmy Lopez, Natacha Diels, Gity Rizaz,
Annie Gosfield and three–to be announced–composers under 30. $60 all weekend pass, $25 per concert, $10 film screening only. Single Tickets on sale soon

WEEKEND PROGRAMMING
All events will be at Z Space in San Francisco.

Friday, April 21, 2017
8pm – Film: Lou Harrison: A World of Music

Saturday, April 22, 2017
11am – Concert #1: SFSearch: Music by three Bay Area composers under 30.
12-1pm – Talk #1: “How Music is Made” with composers Jimmy Lopez and Natacha Diels
2:30pm – Concert #2: Music by Lou Harrison, Jimmy Lopez, and Annie Gosfield
6:00-7pm – Talk #2: “Knowing Lou” with Steven Schick, David Tanenbaum, William Winant and Karen Gottlieb.
7:30pm – Concert #3: Music by Lou Harrison, Gity Razaz, and Natacha Diels

Become a Season Subscriber

Subscribers Receive:
Tickets to 6 concerts and 2 community events
Plus
– 15% discount on single tickets and ticket fees waived
– 2 guest passes to SFCMP’s spring event “Sound and Wine”
– 1 ticket to Lou Harrison documentary film showing
– VIP invitation to “How Music is Made” professional composer talks and SFCMP dress rehearsals
– Observer pass to master classes by Artistic Director and SFCMP Players

$170 Purchase a Season Subscription Today 

Eventbrite - SFCMP 2016-17 Season Subscription

Questions? Call us at (415) 278-9566 or e-mail info@sfcmp.org

 

 

SFCMP-features-960x345-at-the-Crossroads (1)

 

October 8, 2016 and February 17, 2017

on Stage Series

 

 

SFCMP-features-960x345-on-Stage-rev

Experience the music of the most influential and innovative
national and international composers of the 20th and 21st centuries

Sat, Oct 8, 2016  Ken Ueno, Toru Takemitsu, Joe Pereira, Anna Thorvaldsdottir
including Sat, Oct 8, 2016 open dress rehearsal and composer talk with Ken Ueno and Joe Pereira
$40/$15 Single Tickets on sale soon

Fri, Feb 17, 2017 Igor Stravinsky, Peter Evans
including Fri, Feb 17, 2017 open dress rehearsal and composer talk with Peter Evans
$40/$15  Single Tickets on sale soon

 

Become a Season Subscriber

Subscribers Receive:
Tickets to 6 concerts and 2 community events
Plus
– 15% discount on single tickets and ticket fees waived
– 2 guest passes to SFCMP’s spring event “Sound and Wine”
– 1 ticket to Lou Harrison documentary film showing
– VIP invitation to “How Music is Made” professional composer talks and SFCMP dress rehearsals
– Observer pass to master classes by Artistic Director and SFCMP Players

$170 Purchase a Season Subscription Today 

Eventbrite - SFCMP 2016-17 Season Subscription

Questions? Call us at (415) 278-9566 or e-mail info@sfcmp.org

 

SFCMP-features-960x345-on-Stage (2)

 

 

 

 

 

 

 

 

 

 

SFCMP Presents: How Music Is Made

Composer Talks and Open Dress Rehearsals 2016-17

Open to the public
Facilitated by SFCMP Artistic Director, Steven Schick

In our How Music is Made series, composers reveal their motivation behind the notes and together we discover the inspiration and narrative behind each piece. We invite you to become privy to these secrets by joining us for an open dress rehearsal of the piece in the afternoon, followed by a discussion about the work with the composer, followed by the full concert that evening. Bring your best music-loving friends and join the intimate conversation that was made for the curious.
#HMIM

All talks are free and open to the public.
Open dress rehearsals precede the talk.
Concert follows that evening: Learn more

 

Sat, Oct 8, 2016  How Music is Made composer talk
with Ken Ueno & Joe Pereira
at the Taube Atrium Theater 401 Van Ness Ave, SF, CA 94102

4:00-4:30 pm Open Dress Rehearsal of Sawdust on Ararat by Ken Ueno
4:30-5:20 pm Composer Talk with Ken Ueno and Joe Pereira
7:30 pm Concert

 

 

Fri, Jan 20, 2017 How Music is Made composer talk
with Kate Soper & Richard Festinger
at SF Conservatory of Music 50 Oak St, SF, CA 94102

4:00-4:30 pm Open Dress Rehearsal of new piece by Richard Festinger
4:30-5:20 pm Composer Talk with Richard Festinger and Kate Soper
7:30 pm Concert

 

 

Peter Evans credit Peter Gannushkin

Peter Evans credit Peter Gannushkin

Fri, Feb 17, 2017 How Music is Made composer talk
with Peter Evans
at Herbst Theatre 401 Van Ness Ave, San Francisco, CA 94102

4:00-4:30 pm Open Dress Rehearsal of Stravinksy Interpolations with SFCMP and improvisor, trumpeter Peter Evans
4:30-5:20 pm Composer Talk with trumpeter, composer, improvisor, Peter Evans
7:30 pm Concert

 

 

Jimmy Lopez credit Sidney Erthal

(Photo credit: Sidney Erthal)

Sat, Apr 22, 2017 How Music is Made composer talk
with Jimmy Lopez & Natacha Diels
at Z Space 450 Florida St, San Francisco, CA 94110

12:30-1:30 pm Composer Talk  with Jimmy Lopez and Natacha Diels*
Artisanal pizza provided for first 50 people. A cash bar serving alcoholic and non-alcoholic beverages is available 

*part of the Lou Harrison Weekend Centenary Celebration on April 22 from 11:00 am – 9:00 pm

 

 

Sat, Oct 8, 2016  Works by Ken Ueno, Toru Takemitsu, Joe Pereira, Anna Thorvaldsdottir

On Stage Series

In our On Stage series we bring to the stage some of the most influential national and international contemporary classical composers of the 20th and 21st centuries

 

 

Sat, Oct 8, 2016
Venue: Taube Atrium Theater Veterans Building  4th floor 401 Van Ness Ave, San Francisco, CA 94102

Free and open to the public
4:00 – 4:30 pm  Open Dress Rehearsal of Sawdust on Ararat by Ken Ueno
4:30 – 5:30 pm  Composer Talk, “How Music is Made” with composers Ken Ueno and Joe Pereira, facilitated by Steven Schick

Open to ticket-holders
6:30 – 7:00 pm  Informal pre-concert discussion with Steven Schick and musicians
7:30 pm  CONCERT

Eventbrite - SFCMP in Concert: Works by Takemitsu, Thorvaldsdottir, Pereira and Ueno $35/$15 students
*limited tickets available at the door
*online sales end at noon on 10/8

Eventbrite - SFCMP 2016-17 Season Subscription
*season subscriptions available at the concert

This work by Icelandic composer Anna Thorvaldsdottir is among the most important new pieces of recent years and anchors a program of intense luminosity, including colorful and evocative new works by California composers Ken Ueno and Joe Pereira. The San Francisco Contemporary Music Players also returns to a composer we have longed championed, Toru Takemitsu performing his sublime classic, Toward the Sea.

AnnaThorvaldsdottir

Anna Thorvaldsdottir Credit Saga Sigurðardóttir

Joe Pereira Glimpse (2015) (17’) *world premiere
Alto flute, bass clarinet, piano, violin, cello
Tod Brody, alto flute; Peter Josheff, bass clarinet; Kate Campbell, piano; Susan Freier, violin; Stephen Harrison, cello

Toru Takemitsu Toward the Sea (1981) (12’)
Guitar, alto flute
David Tanenbaum, guitar; Tod Brody, alto flute

Ken Ueno Sawdust on Ararat (2016) 20’ *west coast premiere
Flute, oboe, clarinet, 2 cellos, 2 percussion
Tod Brody, flute; Claire Brazeau, oboe; Bill Kalinkos, clarinet; Thalia Moore, cello; Crystal Pascucci, cello; Nick Woodbury, percussion; Loren Mach, percussion

Anna Thorvaldsdottir In the Light of Air (2013) (40’)
Viola, cello, piano, harp, percussion, fixed electronics
Susan Freier, viola; Stephen Harrison, cello; Kate Campbell, piano; Karen Gottlieb, harp; Nick Woodbury, percussion

 

Sat, Dec 10, 2016 SFCMP presents Phil Kline’s “Unsilent Night”

unsilentnight-3

“CAROLING HAS NEVER BEEN SO EPIC”

“IMMERSES THE LISTENER IN SUSPENDED WONDERMENT”

 

Sat, Dec 10, 2016
5:00 pm
Free San Francisco community event

Join us for a free holiday event linked to “Unsilent Night” celebrations around the world. The original composition by Phil Kline, written specifically to be heard outdoors in the month of December, takes the form of a street promenade in which the audience becomes the performer. Each participant plays one of four tracks of music downloaded to a smart phone, or anything that amplifies music, together comprising “Unsilent Night.” As the SFCMP public ensemble, we will walk a carefully chosen route through San Francisco, creating a unique mobile sound sculpture.

Who’s Invited: Everybody! A family-friendly, public event. Free.
When: Sat, Dec 10th, 2016. 5:00 pm – 6:00 pm  Rain or Shine!
Meet at: Mission Dolores Park. Meet on Dolores Street at the Dolores Park tennis courts by the corner of 18th St.
Share: #unsilentnight
Twitter: @gosfcmp

Follow along on our Facebook event page for the most up-to-date information
Learn more about “Unsilent Night” at unsilentnight.com

 

BEFORE YOU ARRIVE:

STEP 1: CHOOSE YOUR INSTRUMENT

A) Bring a boombox capable of playing a cassette/CD/smartphone/mp3.
B) Invent your own sound rig e.g. laptops, speakers on a wagon, megaphone. The louder the better!

 

STEP 2: GET THE MUSIC

A) Make your own CD or playlist by downloading the following tracks: Track 1 Track 2 Track 3 Track 4
B) Download the Phil Kline Unsilent Night Phone App and hook up your bluetooth speakers!
C) Bring your old-school boombox. We’ll provide the cassette tapes!
C) Livestream Audio via SoundCloud at soundcloud.com/unsilentnight

 

PARKING & TRANSIT

Find parking around Dolores Park:

https://www.parkme.com/san-francisco-parking/dolores-park

Use the LUXE app for on-demand valet service:

www.luxe.com

Use the Public Transit Trip Planner:
511.org 

7 minute walk from Castro St MUNI station, or take
J-Church streetcar right to Dolores Park (18th & Church Streets)

 

Masterclass 2017 Steven Schick

 

About SFCMP Master Classes
SFCMP Master Classes provide opportunities for talented students to learn about contemporary classical music through guidance and critiquing in front of a live audience. The classes are led by SFCMP Artistic Director and Players. These classes are challenging, intense and inspiring.

 

 

February 16, 2017
7:30pm – 9:00pm
New Music and Percussion Master Class
Led by Steven Schick, Percussionist and Artistic Director of San Francisco Contemporary Music Players
Venue: San Francisco Conservatory of Music 50 Oak St, San Francisco, CA 94102

SFCM’s Master Class series invites renowned performers and conductors to share insights with Conservatory students about technique, style and the business – sprinkled with backstage tales – all before a live audience. We invite you to observe SFCMP Artistic Director and percussionist, Steven Schick in a new music and percussion master class.

Béla Bartók, Sonata for Two Pianos & Percussion (1937)
Syon Kim, Piano 1
Xin Zhao, Piano 2
Noah McKee, Percussion
John Jaworski, Timpani

Christopher Deane, Mourning Dove Sonnet (1983)
John Jaworski, vibraphone

David Lang, Unchained Melody (2004)
Noah McKee, percussion solo: 7 glockenspiel notes, 7 noises, 1 brake drum or other nasty metal

 

Tickets
Free and Open to the public.
Limited seating available.

Café Crème
Café Crème offers a menu including beer and wine two hours before performances.www.sfcm.edu/cafe-creme or 415.503.6295

Steven Schick, Percussionist, conductor, and author, for forty years has championed contemporary music by commissioning or premiering more than one hundred-fifty new works. He was the founding percussionist of the Bang on a Can All-Stars (1992-2002) and served as Artistic Director of the Centre International de Percussion de Genève (2000-2005). Schick is founder and Artistic Director of the percussion group, “red fish blue fish”.  Currently he is Music Director of the La Jolla Symphony and Chorus in addition to serving as SFCMP’s Artistic Director. In 2012 he became the first Artist-in-Residence with the International Contemporary Ensemble (ICE). Schick founded and is currently Artistic Director of “Roots and Rhizomes,” a summer course on contemporary percussion music held at the Banff Centre for the Arts. He maintains a lively schedule of guest conducting including appearances in this season with the BBC Scottish Symphony Orchestra, the Saint Paul Chamber Orchestra, the Nova Chamber Ensemble and the Asko/Schönberg Ensemble. Schick will be music director of the 2015 Ojai Festival. Among his acclaimed publications are a book, “The Percussionist’s Art: Same Bed, Different Dreams,” and numerous recordings of contemporary percussion music including a 3 CD set of the complete percussion music of Iannis Xenakis (Mode).  Mode released a companion recording on DVD of the early percussion music of Karlheinz Stockhausen in September of 2014. Steven Schick is Distinguished Professor of Music at the University of California, San Diego and he was named Artistic Director of SFCMP in 2011.

Reed Family Presidential Chair in Music, University of California, San Diego
Music Director, La Jolla Symphony and Chorus
Co-Artistic Director, Banff Centre’s Summer Music Program
Artistic Director, San Francisco Contemporary Music Players

Fri, Jan 20, 2017 Works by Richard Festinger, Michael Pisaro, Kate Soper, Gyorgy Ligeti

SFCMP in the Laboratory

In the Laboratory Series

Our In the Laboratory series brings to the stage large-scale contemporary classical works that push the boundaries of the concert experience through experimentation and exploration.

 

 

Fri, Jan 20, 2017
Venue: San Francisco Conservatory of Music Concert Hall 50 Oak St, San Francisco, CA 94102

Free and open to the public
4:00 – 4:30 pm Open Dress Rehearsal of new piece by Richard Festinger
4:30 – 5:20 pm Composer Talk with Richard Festinger and Kate Soper facilitated by Steven Schick

Open to ticket-holders
6:45 pm  Pre-concert talk with Steven Schick and musicians
7:30 pm  CONCERT

At the conservatory is Cafe Creme, where meals, beer, and wine may be purchased prior to the concert.  With 10 minutes’ walk is Hayes’ Valley area with several local restaurant choices.

Please join us for a post-concert reception.

Eventbrite - Works by Richard Festinger, Michael Pisaro, Kate Soper, and Gyorgy Ligeti  $35/$15 students

In this program, we explore the voice in its broadest sense: from a premiere of a song cycle by San Francisco composer Richard Festinger to an invocation of the voices of nature in Michael Pisaro’s evocative ricefall for 16 players and various resonant metal and wooden objects.  Anchoring the program is a pair of composers – one emerging and another established: Kate Soper’s Door features voice and electric guitar alongside a rare performance of Gyorgy Ligeti’s landmark Chamber Concerto, which features the voices of 13 concertante soloists.
Encouraging and mentoring the next generation of new music performers, SFCMP will once again join San Francisco Conservatory of Music students on this program.

Conductor’s Notes
Program Notes

Richard Festinger

Composer Richard Festinger

Daniel Cilli Baritone

Baritone Daniel Cilli

Richard Festinger Careless Love (2016) (18’)
SFCMP commission
featuring Daniel Cilli, Baritone
Daniel Cilli, baritone; Peter Josheff, clarinet; Alex Camphouse, horn; Roy Malan, violin, Susan Freier, viola; Stephen Harrison, cello; Kate Campbell, piano 

Michael Pisaro ricefall (2010) (18’)
Featuring Steven Schick; Tod Brody; Kyle Bruckmann; Peter Josheff; Alex Camphouse; Kate Campbell; Roy Malan; Susan Freier; Stephen Harrison; Richard Worn; Andrew Friedman, SFCM student; David Tanenbaum; Clio Tilton; Albert Yan, SFCM student; Trevor van de Velde, UC Berkeley student; Zhoushu Ziporyn, UC Berkeley student

Kate Soper Door (2007) (11’)
Amy Foote, soprano; Tod Brody, flute; Kevin Stewart, tenor sax; Karen Hutchinson, accordion; David Tanenbaum, electric guitar

György Ligeti Chamber Concerto (1969) (21’)
Tod Brody, flute; Kyle Bruckmann, oboe; Peter Josheff, soprano clarinet; Alex Camphouse, horn; Richard Worn, double bass; Kate Campbell, piano and celesta; Allegra Chapman, harpsichord/B3 organ; Roy Malan, violin; James Encarnacion, tenor trombone; Clio Tilton, viola; Helen Newby, cello; Andrew Friedman, SFCM student, bass clarinet; Albert Yan, SFCM student, violin

 

 

 

 

 

Fri, Feb 17, 2017 Works by Igor Stravinsky, Peter Evans and Guest Improvisers

On Stage Series

In our On Stage series we bring to the stage some of the most influential national and international contemporary classical composers of the 20th and 21st centuries

 

 

Fri, Feb 17, 2017
Peter Evans & Guest Improvisers Nava Dunkelman, percussion and India Cooke, violin
Venue: Herbst Theatre 401 Van Ness Ave, San Francisco, CA 94102

Free and open to the public
4:00 – 4:30 pm Open Dress Rehearsal of Stravinksy Interpolations with Peter Evans
4:30 – 5:30 pm Composer Talk with Peter Evans facilitated by Steven Schick

The Herbst Theatre Lounge will be open from 5:30pm – 7:30pm. Come early for wine, beer and snacks.

Open to ticket-holders
6:45 pm  Pre-concert discussion with Steven Schick and musicians
7:30 pm  CONCERT

Eventbrite - Works by Richard Festinger, Michael Pisaro, Kate Soper, and Gyorgy Ligeti   $35/$15 students

Conductor’s Notes
Peter Evans Program Notes

In a departure from the usual way of presenting Stravinsky’s iconic L’Histoire du Soldat, now approaching its centennial, we will replace the dramatic action and much of the original Ramuz text with improvised interpolations featuring trumpet virtuoso supreme, Peter Evans. Performing with Evans on various movements will include a number of exceptionally talented improvisers, including special guests Nava Dunkelman (percussion), and India Cooke (violin) as well as SFCMP’s own Kyle Bruckmann (oboe) and William Winant and Steven Schick on percussion.

The result will be an Evans/Stravinsky mash-up in which two musics will speak to each other across a century—responding and resonating, cajoling and interrupting—in a conversation about the eternal issues of good and evil; war and peace.

Igor Stravinsky L’Histoire du Soldat (1918) 
Hrabba Atladottir, violin; Richard Worn, bass; Jeff Anderle, clarinet; Dana Jessen, bassoon; Brad Hogarth, trumpet; Brendan Lai-Tong, trombone; Christopher Froh, percussion

Peter Evans Lover’s War (2016)
Improvised Interpolations of L’Histoire du Soldat

Peter Evans, trumpet (soloist); Kyle Bruckmann, oboe; William Winant, percussion; Steve Schick, percussion; Nava Dunkelman, percussion; India Cooke, violin

India Cooke

Nava Dunkelman

 

 

 

 

 

 

 

Stravinsky Interpolations
Peter Evans, Lover’s War
Igor Stravinsky, L’Histoire du Soldat (The Soldier’s Tale)

Peter Evans                                                  Solo: For Eddie Slovik

Igor Stravinsky                                              The Soldier’s March

Peter Evans                                                  Trio:  For Lewis Mumford

Igor Stravinsky                                              Music to Scene I

Igor Stravinsky                                              Music to Scene II

Peter Evans                                                  Quartet:  For Michelle Alexander

Igor Stravinsky                                              Music to Scene III

Igor Stravinsky                                              The Soldier’s March

Peter Evans                                                  Duo: For Sarah Kendzior

Igor Stravinsky                                              The Royal March

Igor Stravinsky                                              Little Concert

Igor Stravinsky                                              Three Dances

Peter Evans                                                  Solos: For Cecil Taylor

Igor Stravinsky                                              The Devil’s Dance

Igor Stravinsky                                              The Great Choral

Peter Evans                                                  Septet:  For James Baldwin

Igor Stravinsky                                              Triumphal March of the Devil

Peter Evans                                                  Septet:  For James Baldwin, part 2

 

About Peter Evans

With Peter Evans on Trumpet, Only the Shape Is Familiar
New York Times

His reputation among freethinking trumpet players is ironclad, a function of superhuman precision and a trailblazing technical vocabulary. But Mr. Evans would rather not be known strictly on those merits. “Sometimes it bothers me that the physical intensity and the crazy sounds are what people focus on,” he said a couple of weeks after his concert, over coffee near the carousel in Bryant Park. “Actually that’s not really the point for me.” Mr. Evans, 35, has the look of a systems analyst and the instinct of a righteous outlier, questioning preconceptions at every turn.

Growing up outside of Boston, he studied classical music alongside jazz, a pattern he continued at the Oberlin Conservatory of Music. He was serious about solo trumpet performance even then, drawing from both contemporary composers like Luciano Berio and boundless improvisers like the trumpeter Bill Dixon. “I moved to New York in 2003, and that’s one of the few things I had that was ready to go,” Mr. Evans said. “I didn’t know anybody, but I could sit down at some coffee shop and play a solo set.”

The jazz trumpeter and composer Dave Douglas was among those who quickly noticed Mr. Evans, commissioning him to perform on the Festival of New Trumpet Music. “The kinds of things he was doing, hardly anybody was doing,” Mr. Douglas said. “He has now further developed those techniques into some sounds that are wholly his own. That doesn’t happen too often.” >> Read full New York Times article

 

Sat, Mar 25 Sound and Wine A Season-End Celebration

Calling all Bay Area Music Lovers! You’re Invited!

It’s time for our season-end celebration, and we hope you’ll join us for live music, great food, good company, and some of our region’s finest wine (and beer).

Whether you’re new to contemporary classical music or have been a fan for years, we hope you’ll join us to relive your favorite works from the season or hear them for the first time.

 

Eventbrite - Sound and Wine with SFCMP Sorry, no door sales.

SFCMP ensemble presenters are Kyle Bruckmann, Jeff Anderle, and Bill Kalinkos.

Program
Igor Stravinsky, Three pieces for clarinet solo
excerpts from

György Ligeti from 2016-17 season
Peter Evans and Igor Stravinsky from 2016-17 season
Lou Harrison from 2016-17 season
John Zorn, 2017-18 season preview

Seating is limited to 75. No doors sales. To ensure your seat, please purchase your online ticket(s) today. Tickets includes food, wine, beer, and a live music presentation. You can apply your ticket value of $45 to the purchase of any artwork.

Other information:

-Beer and wine is included. A no-host bar is available.
-Wines are from Sonoma County, North Coast, and Paso Robles.
-Menu includes assorted sausages, chicken schnitzel, vegetable spatzle, pretzel knots, and tots.
-Artwork by contemporary artists will be displayed and available for sale. All artwork are prints of originals by contemporary artists, Jennifer Siddens, Sydell Lewis, Wendy Costa and Gertie Mellon. All prints are $250.
-Raffle at 5:00pm. Raffle tickets available for purchase at $10 each.  Raffle items include Bottles of Ridge Vineyard Wines, Tickets to Our Arts Partner Performances. Bring your cash!
-No children, adults only please.

Questions? Contact info@sfcmp.org
#soundandwine

Fri and Sat, Apr 21-22, 2017 Lou Harrison: A Centenary Celebration

at-the-Crossroads-Series-hires-RGBAt the Crossroads Series

In our At the Crossroads series you will discover the music of iconic contemporary classical composers performed alongside cutting-edge emerging composers from California and beyond

 

 

Eavesdrop on conversations between Lou Harrison, much loved California composer whose 100th birthday we celebrate in 2017, and two younger generations who share his lifelong interests of exploration and inclusivity. We’ll hear Harrison’s music alongside that of Natacha Diels whose work, like Harrison’s, is steeped in a sense of ritual; Gity Razaz who fearlessly combines technologies and cultures; the prolific and eloquent Jimmy Lopez; and the playfully absurd Annie Gosfield. You’ll listen to composer talks and we’ll perform and record music by the newest generation of composers influenced by Harrison’s work through our SF Search Program: the San Francisco Contemporary Music Players program in support of emerging contemporary classical composers.

#louharrison100
#sfcmp

These events were made possible in part by a grant from

The Ross McKee Foundation
American Music Project
The National Endowment for the Arts

 

Lou Harrison portrait by es (1)

Lou Harrison credit Eva Soltes

LOU HARRISON : A CENTENARY CELEBRATION
A Weekend Festival
Z Space 450 Florida St, San Francisco, CA 94110

April 21 & 22, 2017
$60 weekend pass, $25 per concert
($15 group of 4 or more)
Tickets available soon

 

 

 

 

 

 

 

FRIDAY, Apr 21, 2017
Z Space 450 Florida St, San Francisco, CA 94110 

8:00 pm
Film Screening: “Lou Harrison: A World of Music
by Eva Soltes
run time 92 min

doors open 6:30pm for a pre-film reception
A cash bar serving alcoholic and non-alcoholic beverages is available before the film

——————-


SATURDAY, Apr 22, 2017
Z Space 450 Florida St, San Francisco, CA 94110

Join us for a single event or spend all day with us!

 

11:00 am
Concert #1
doors open 10:30 am
SF Search 2016-17 Winners

With his focus on the openness of Lou Harrison’s melodies and the lushness of microtonal harmonies, Roger Kim has constructed a piece of quiet beauty and generous space for the performer.  From her childhood, near Lou Harrison’s Aptos home, Michelle Zheng was able to experience first hand the unique qualities of the light along the mid-Californian coast and its unique blend of cultures.  In her work, full of musical contrast and shifting emotions, she captures this mixture with grace and skill.   Benjamin Zucker simultaneously explores the dual personality of Lou Harrison, as an American composer indebted to the musical language of the gamelan, and as an American experimentalist.  Through an unusual notational and musical scheme, Zucker captures both.

Roger Kim Quartet with one theme (2017) (5’)
violin, cello, clarinet, piano

Michelle Zheng Rift (2017) (6’)
violin, cello, clarinet, piano

Benjamin Zucker Sarabandisms (2016) (6’)
violin, cello, bass clarinet, piano


 

Jimmy Lopez credit Sidney Erthal

Jimmy Lopez

natacha-diels-original (1)

Natacha Diels

12:30-1:30pm
Composer Talks, “How Music is Made” with Jimmy Lopez and Natacha Diels
Artisanal pizza provided for first 50 people. A cash bar serving alcoholic and non-alcoholic beverages is available 

 

 

 

 

 

2:30pm
Concert #2

Lou Harrison, Canticle # 3 (1942)
Ocarina, 5 percussionists, guitar

Composer conversation with Jimmy Lopez

Jimmy Lopez, Ccantu (2007)
Piano

Lou Harrison, Varied Trio (1986)
Piano, Violin, Percussion
written for SFCMP percussionist, William Winant, Julie Steinberg and David Abel

Annie Gosfield, Daughters of the Industrial Revolution (2011)
Guitar, Drums, Percussion, Cello

 

Lou Harrison credit Eva Soltes

Lou Harrison credit Eva Soltes

6:30pm
“Knowing Lou”

Steven Schick in conversation with David Tanenbaum, William Winant and Karen Gottlieb, SFCMP Ensemble members and friends of Lou Harrison.

A cash bar serving alcoholic and non-alcoholic beverages is available 

 

 

 

 

7:30pm
Concert #3

Lou Harrison Suite for Cello and Harp (1949)
Cello, Harp

Gity Razaz, Shadow Lines (2014)
Cello and Electronics

Lou Harrison  Scenes from Nek Chand (2001/2)
Steel Guitar [National]
Mr. Harrison’s last piece, dedicated to SFCMP guitarist, David Tanenbaum and Carol Law and Charles Amirkhanian

Composer conversation with Natacha Diels

Natacha Diels, The Colors Don’t Match  (2014) *west coast premiere
Piccolo, violin, clarinet, voice, glockenspiel, vibraphone, electronics

 

 

SFCMP Recordings

San Francisco Contemporary Music Players is committed to the recording and creation of world-class contemporary classical works.

 

Hung Liu – Dirge

dirge-cover-hung-liu-printdirge-hung-liu-print-spreadliu-dirge

Hung Liu
Dirge, 2010
Archival pigment prints, 18×18, in silkscreened folio

Limited Edition series of 45 prints
$1,400 plus tax

SF Contemporary Music Payers is dedicated to performing innovative new music of exceptional interest and to nourishing the creation and dissemination of new work through commissioning, recording and outreach.

Proceeds from this sale benefit the San Francisco Contemporary Music Players.
Contact us to purchase (415) 278-9566

Hung Liu in the News

Thank you to our generous supporters

Our 44th season wouldn’t be possible without the support of the following foundations and agencies in addition to the many generous individual contributors and ticket buyers and season subscribers. Thank you for your continued support. 

Clarence E. Heller Foundation; Ditson Fund of Columbia University; James Irvine Foundation; National Endowment for the Arts; Phyllis C. Wattis Foundation; San Francisco Grants for the Arts; The Aaron Copland Fund for Music, Inc.; The Amphion Foundation; The Ann and Gordon Getty Foundation; The Bernard Osher Foundation; The Ross McKhee Foundation; William and Flora Hewlett Foundation; Wells Fargo Foundation; Zellerbach Family Foundation;Creative Capacity Fund;The James Irvine Foundation Exploring Engagement Fund;The Jebediah Foundation;The Phyllis C. Wattis Foundation; The Zellerbach Family Foundation;Ernst Von Siemens Foundation;Polish Cultural Institute New York.

Thank you to our generous supporters

Our season wouldn’t be possible without the support of the many generous individual contributors, ticket buyers and season subscribers in addition to the following foundations and agencies.

Clarence E. Heller Foundation; The Alice M. Ditson Fund of Columbia University; James Irvine Foundation; National Endowment for the Arts; Phyllis C. Wattis Foundation; San Francisco Grants for the Arts; The Aaron Copland Fund for Music, Inc.; The Amphion Foundation; The Ann and Gordon Getty Foundation; The Bernard Osher Foundation; The Ross McKhee Foundation; William and Flora Hewlett Foundation; Wells Fargo Foundation; Zellerbach Family Foundation; American Music Project

Thank you for your support. 

SONGSCAPE Oct 20, 21, 24 2015

Songscape
October 20 and 21, 2015
San Francisco Conservatory of Music

50 Oak St, San Francisco, CA 94102 (map)
Concert begins at 7:30 PM
Pre-concert discussion at 6:30 PM

Our 2015-16 season, X-SCAPE:  New Spaces for New Music explores space in the physical, metaphorical and poetic sense.
SONGSCAPE (October 2015) – An examination of the nature of utterance and communication
XERISCAPE (January 2016) – A look at the role of art in climate change
OSCUROSCAPE (March 2016) – On the nature of darkness
STARSCAPE (March 2016)  – On pulsars, vastness and space

Songscape examines the nature of utterance and communication. How does an individual find her voice; how does she learn to understand others as language changes? For insight we’ll listen to David Lang’s quotations of the character of death and Lee Hyla’s conjecture of what the language of Etruscan might sound like as played through modern reed instruments. Gérard Grisey’s magnificent final work, Quatre Chants, is a reliquary and an expressive catharsis.

This concert was sponsored in part by the Ross McKee Foundation. 

GRISEY Preview

October 20, 2015

*$10 at the door, students/subscribers free; door only

Gérard Grisey, Quatre chants pour franchir le seuil – Four Songs for Crossing the Threshold
Soprano Solo and Fifteen Instruments

SONGSCAPE

October 21, 2015

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PURCHASE TICKETS NOW
Premium Seating $35, Regular Seating $25, Student w/ID $15

BECOME A 2015-16 ANNUAL SUBSCRIBER  

David LangDeath Speaks
Soprano, Violin, Guitar, Piano, Guest soprano, Alice Teyssier

Lee Hyla, We Speak Etruscan
Baritone Saxophone, Bass Clarinet

Kyle Bruckmann, Ken Ueno, Improvisation

Gérard GriseyQuatre chants pour franchir le seuil – Four Songs for Crossing the Threshold
Soprano Solo and Fifteen Instruments, Guest soprano, Alice Teyssier

alice-teyssier920x920Flutist and lyric soprano Alice Teyssier brings “something new, something fresh, but also something uncommonly beautiful” to her performances. Hailed as possessing a voice with “unusual depth,” Alice’s mission is to share lesser-known masterpieces and develop a rich and vibrant repertoire that reflects our era. This season, Alice is on tour with the International Contemporary Ensemble (ICE) in Washington, D.C., Nashville, Los Angeles, San Diego and will be a mainstay of the group’s residency at the Ojai Festival. She plays the music of Chaya Czernowin and Bernard Rands on Miller Theatre’s portrait concert series and returns to the Monday Evening Concerts twice this season with music by Ramón Lazkano and Lewis Nielson. As a vocal soloist, Alice will join the Oberlin Contemporary Music Ensemble in a new work by Aaron Helgeson and will be singing the role of Maddalena in Händel’s ‘La Resurrezione’ with the Bach Collegium San Diego. Alice is thrilled to be working collaboratively through residencies at Long Island University, the Abrons Arts Center and Lee University. www.aliceteyssier.com

 

 

SAARIAHO & BARRIÈRE Oct 24, 2015

Songscape
October 24, 2015
Jewish Community Center of San Francisco
3200 California St, San Francisco, CA 94118 (map)
Concert begins at 7:30 PM
Pre-concert discussion at 6:30 PM

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PURCHASE TICKETS NOW
Premium Seating $35,  Standard $25, Students $15

BECOME A 2015-16 ANNUAL SUBSCRIBER 

Two contemporary masters of multi-media, the composers Kaija Saariaho and Jean-Baptiste Barrière, are visiting the Bay Area in the 2015. SFCMP takes a close look at their most intimate works – solo pieces for instruments, electronics and (sometimes) video. From the lyrical to the visceral, these Saariaho and Barrière works run the gamut of sounds and emotions.

Saariaho Jean_Baptiste_Barriere

Kaija Saariaho, Six Japanese Gardens
Solo percussion with electronics

On Stage interview with Jean-Baptiste Barrière
Jean-Baptiste Barrière, Violance
Solo violin with electronics and video

At Intermission: On-stage interview with Kaija Saariaho

Kaija Saariaho, NoaNoa
Solo flute with electronics and video

Jean-Baptiste Barrière, Time Dust
Solo percussion with electronics and video

Kaija Saariaho is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. She has claimed the major composing awards in The Grawemeyer Award, The Wihuri Prize, The Nemmers Prize and in 2011 was awarded The Sonning Prize. In May 2013, Saariaho was awarded the Polar Music Prize. In 2015 she was the judge of the Toru Takemitsu Composition Award. Always keen on strong educational programmes, Kaija Saariaho was the music mentor of the 2014-15 Rolex Mentor and Protégé Arts Initiative and will be in residence at U.C. Berkeley Music Department in the autumn 2015. In 2015 the song cycle True Fire was premiered by Gerald Finley and Los Angeles Philharmonic, conducted by Gustavo Dudamel. Her next opera – Only the Sound Remains – will be premiered in March 2016 at The Dutch National Opera. Other performances will follow in Paris, Helsinki, Madrid and Toronto. Kaija Saariaho’s harp concerto Trans will get the world premiere in August 2016 by Xavier de Maistre and The Tokyo Symphony Orchestra, conducted by Ernest Martinez-Izquierdo at the Suntory Hall, Tokyo.

[SPECIAL EVENT] UNSILENT NIGHT Dec 19, 2015

phil kline’s

UNSILENTNIGHT

December 19, 2015
San Francisco

unsilentnight-C

“CAROLING HAS NEVER BEEN SO EPIC”

“IMMERSES THE LISTENER IN SUSPENDED WONDERMENT”

Join us for a free holiday event linked to “Unsilent Night” celebrations around the world. This original composition by Phil Kline, written specifically to be heard outdoors in the month of December, takes the form of a street promenade in which the audience becomes the performer. Each participant plays one of four tracks of music downloaded to their smart phone, or anything that amplifies music, together comprising “Unsilent Night.” Our public ensemble will walk a carefully chosen route through San Francisco, creating a unique mobile sound sculpture.

Who’s Invited: Everybody! A family-friendly, public event. Free.
When: Sat, Dec 19th, 2015. 4:45 – 5:45 PM. Rain or Shine!
Where: Gather at SF Civic Center Plaza —on the grass Polk/McAllister — across from City Hall at 4:45 PM at 355 McAllister St San Francisco 94103. The walk will begin and end at the Civic Center Plaza and walk through the streets of Hayes Valley
Share: #unsilentnight
Twitter: @gosfcmp

Get the Music:

*Note: Please download the music before you arrive.
*Note: The best sound comes from .mp3s, bluetooth speakers and /or the cassettes of which we have about 100 — bring your boomboxes! Or, make your own CD buy downloading the .mp3s below. There is also a phone app: It works well, but sounds even better if you have external speakers attached.

– Cassettes: We will hand out cassettes for those who bring a boombox. We have about 100 cassettes.
– UnsilentNight App: Apple iOS | Android. Requires wifii to download. It plays one random track at a time.
– MP3s: Download one of the four .mp3 tracks below. Download to phone or create a CD!
Track 1
Track 2
Track 3
Track 4

Sign up and get more information on Facebook at www.facebook.com/events/1522345354743407

Read the national press release: 35 cities throughout the month of December

Learn more about Phil Kline’s Unsilent Night at unsilentnight.com/index.html

 

Parking & Transportation

The closest accessible Bart Station is Civic Center, three blocks from City Hall. Accessible Muni lines are the 42, 71 and F Line to Market and Van Ness, Civic Center.

Civic Center Garage
Parking Garage
355 McAllister St

UC Hastings Parking Garage
Parking Garage
376 Larkin St

 

XERISCAPE Jan 19, 2016

Xeriscape
January 19, 2016
San Francisco Conservatory of Music
50 Oak St, San Francisco, CA 94102 (map)
Concert begins at 7:30 PM
Pre-concert panel discussion at 6:30 PM curated by Artistic Director, Steve Schick
Reception following the concert

Café Crème located in the SF Conservatory of Music offers a menu including beer and wine two hours before performances.
www.sfcm.edu/cafe-creme

Read program notes
Premium Seating $35, General Seating $25, Student w/ID $15

PURCHASE A TICKET
BUY A PRO-RATED SEASON SUBSCRIPTION (15% discount on tickets)

Our 2015-16 season, X-SCAPE:  New Spaces for New Music explores space in the physical, metaphorical and poetic sense.

SONGSCAPE (October 2015) – An examination of the nature of utterance and communication
XERISCAPE (January 2016) – A look at the role of art in climate change
OSCUROSCAPE (March 2016) – On the nature of darkness
STARSCAPE (March 2016)  – On pulsars, vastness and space

Xeri from Greek ξηρός means dry. Scape means “space,” in the physical, metaphorical or poetic sense. Xeriscape invokes climate change and poses the question: is there a cultural and musical counterpart to climate change? Are there important artistic statements that resonate in new arid spaces? Students from the San Francisco Conservatory of Music will join SFCMP in exploring these questions as part of our Xeriscape program.

This concert is dedicated to George Bosworth for his longtime dedication and support of San Francisco Contemporary Music Players

XERISCAPE

Zosha Di Castri, La forma dello spazio
Flute, Clarinet, Piano, Violin, Cello

Louis Andriessen, Worker’s Union

Morton Feldman, For Samuel Beckett

 

In Zosha DiCastri’s’s piece La forma dello spazio, she alludes to the idea of mobiles, the musicians are spatialized around the hall in a particular configuration. The piece begins with a solo by the violin, while the other instruments provide resonance. Gradually the fragments accumulate and are set into orbit around the concert hall.

Louis Andriessen’s Workers’ Union is a symphonic work for any loud sounding of instruments. This piece is a combination of individual freedom and severe discipline: its rhythm is exactly fixed; the pitch, on the other hand, is indicated only approximately, on a single-lined stave. It is difficult to play in an ensemble and to remain in step, sort of thing like organizing and carrying on political action.

Morton Feldman’s intimate portrait For Samuel Beckett, a much admired and rarely performed piece, completes the bill. AllMusic reviewer Dave Lewis says“For Samuel Beckett has a mysterious and somewhat menacing character. Subdivided instrumental groups exchange pitches belonging to a large, dissonant cluster chord. The basic notes in use do not vary, but the order in which they come in, and the combinations resulting thereof, does. As Marcel Duchamp once said, “Repetition is change,” and this is a terrific example of minimalism in music that is not “minimalistic” in style, at least not in the usual sense of the term.” 

 

louisandriessen-300x300 Grawemeyer award–winning  composer, Louis Andriessen is a Dutch composer and pianist based in Amsterdam. Andriessen is one of Europe’s most eminent and influential composers. His music combines propulsive energy, economy of material and distinctive sonorities, often dominated by pungent wind and brass, pianos and electric guitars. Andriessen has explored, in relation to music, the subjects of politics, time, velocity, matter and mortality. Andriessen is the winner of the 2011 Grawemeyer Award.

zosha-dicastri Zosha Di Castri  is a Canadian composer/pianist living in New York. Her compositions have been performed in Canada, the US, and Europe by such ensembles as the Edmonton Symphony Orchestra, the Internationale Ensemble Modern Akademie, l’Orchestre de la francophonie canadienne, the NEM, JACK Quartet, the Orchestre national de Lorraine, members of the L.A. Philharmonic and Chicago Symphony Orchestra, and Talea Ensemble. Learn more about DiCastri here.

Morton Feldman

permissions from University at Buffalo Music Library

 Music reviewer, Alex Ross says,
“Morton Feldman
 was a big, brusque Jewish guy from Woodside, Queens—the son of a manufacturer of children’s coats. He worked in the family business until he was forty-four years old, and he later became a professor of music at the State University of New York at Buffalo. He died in 1987, at the age of sixty-one. To almost everyone’s surprise but his own, he turned out to be one of the major composers of the twentieth century, a sovereign artist who opened up vast, quiet, agonizingly beautiful worlds of sound.”

Enjoy the rest of this article by Alex Ross.

in residence at Z Space Mar 15 & 17, 2016 works by David Lang. Projections by Suzanne Bocanegra

Oscuro-Star
March 15 and 17, 2016
Z Space
450 Florida St, San Francisco, CA 94110 (map)
6:30pm Pre-concert discussion with Artistic Director, Steve Schick and SFCMP ensemble members
7:30pm Concert

A cash bar serving alcoholic and non-alcoholic beverages is available prior to and during the performance.
Reception following the concert.

Premium Seating $35, General Seating $25, Student w/ID $15
Children 14 and under are free
PURCHASE A TICKET

Our 2015-16 season, X-SCAPE:  New Spaces for New Music explores space in the physical, metaphorical and poetic sense.
SONGSCAPE (October 2015) – An examination of the nature of utterance and communication
XERISCAPE (January 2016) – A look at the role of art in climate change
OSCUROSCAPE (March 2016) – On the nature of darkness
STARSCAPE (March 2016)  – On pulsars, vastness and space

OSCUROSCAPE features Pulitzer-Prize-winning and 2016 Oscar-nominated composer David Lang’s introspectively ecstatic piece “darker” for 12 string instruments. Over the course of an hour a very active string orchestra plays music that gets a little darker – not a lot, just a little. A film by visual artist Suzanne Bocanegra heightens the darkening. The result is hypnotic and moving. The program also includes Lang’s electric guitar duet, “warmth”, composed in 2006.

SFCMP interviewed David Lang in March 2016 about his performance of “darker.” In this 6-minute segment you’ll learn about David’s life, how it relates to “darker,” and how he communicates with musicians. Be sure to stay tuned to find out why he’s preparing to be a dead composer. Listen to the conversation here:

David Lang, “warmth”
Electric Guitar Duet
David Tanenbaum and Travis Andrews

David Lang, “darker”
12 Strings
projections by Suzanne Bocanegra
Roy Malan, violin; Matthew Szemela, violin; Hrabba Atladottir, violin; Deborah Tien-Price, violin; Alisa Rose, violin; Iris Stone, violin; Clio Tilton, viola; Evan Buttemer, viola; Helen Newby, cello; Hannah Addario-Berry, cello; and Richard Worn, double bass

DarkerStill9Projections by Suzanne Bocanegra

davidlang

David Lang, Photo by Peter Serling

Passionate, prolific, and complicated, composer David Lang embodies the restless spirit of invention. Lang is at the same time deeply versed in the classical tradition and committed to music that resists categorization, constantly creating new forms. In the words of The New Yorker, “With his winning of the Pulitzer Prize for the little match girl passion (one of the most original and moving scores of recent years), Lang, once a postminimalist enfant terrible, has solidified his standing as an American master.” Learn more about Pulitzer Prize winning composer David Lang at davidlangmusic.com. David Lang was recently nominated for an Oscar in the Best Original Song category. Learn more here.

in residence at Z Space Mar 16 & 18, 2016 works by Gérard Grisey and Marianthi Papalexandri-Alexandri.

Oscuro-Star
March 16 and 18, 2016
Z Space
450 Florida St, San Francisco, CA 94110 (map)
6:30pm Pre-concert discussion with Artistic Director, Steve Schick and SFCMP ensemble members
7:30pm Concert

A cash bar serving alcoholic and non-alcoholic beverages is available prior to and during the performance.
Reception following the concert.

Enjoy this unique seating-in-the-round experience!

Premium Seating $35, General Seating $25, Student w/ID $15
Children 14 and under are free
PURCHASE A TICKET

Our 2015-16 season, X-SCAPE:  New Spaces for New Music explores space in the physical, metaphorical and poetic sense.
SONGSCAPE (October 2015) – An examination of the nature of utterance and communication
XERISCAPE (January 2016) – A look at the role of art in climate change
OSCUROSCAPE (March 2016) – On the nature of darkness
STARSCAPE (March 2016)  – On pulsars, vastness and space

 

STARSCAPE
Percussionist Loren Mach will perform “No 45 Immense”, by Marianthi Papalexandri-Alexandri. This work is an enchanting meditation on what distinguishes instruments and objects, written for a soloist with red apple, newspaper, magnifying glass, water, zip, plastic glass of water, sand blocks, coins, small bells, shoe box, bass guitar string, espresso plate, clear transparent plastic pen, wooden table and fizzy vitamin C tablet. The centerpiece of this program is Gérard Grisey’s “Le Noir de l’Étoile”, one of the greatest statements in the percussion repertoire. For this work, the performers of SFCMP will be “spatialized,” surrounding a seating-in-the-round audience.


Marianthi Papalexandri-Alexandri, N° 45 Immense
for solo percussion
Loren Mach

Gérard Grisey, Le Noir de l’Étoile
for six percussionists
William Winant, Loren Mach, Nick Woodbury, Sean Dowgray, Haruka Fujii, and Megan Shieh

 

 Marianthi Papalexandri-Alexandri Marianthi Papalexandri – Alexandri is a Berlin based sound artist, composer and performer who is best know for her minimal and elegant sound constructions that she creates herself and in collaboration with Swiss Kinetic artist Pe Lang, exploring the links between musical instrument and sound sculpture. Her work is situated at the intersections of sound art, composition and performance. Papalexandri holds a PhD in music composition from the University of California, San Diego. Her compositions, installations and sound sculptures involve a continuous interaction between the visual to the musical, that demand absolute focus, clarity and economy of means.
www.marianthi.net

Gerard_Grisey Gérard Grisey was born in Belfort, France on 17 June 1946. He studied at the Trossingen Conservatory in Germany from 1963 to 1965 before entering the Conservatoire de Paris. Grisey won the highly coveted Prix de Rome and stayed at the Villa Medici in Rome from 1972 to 1974, and in 1973 founded a group called L’itinéraire with Tristan Murail, Roger Tessier and Michael Levinas, later to be joined by Hugues Dufourt. DérivesPériodes, and Partiels were among the first pieces of spectral music. In 1974-75, he studied acoustics with Emile Leipp at theParis VI University, and in 1980 became a trainee at the IRCAM (Institut de Recherche et Coordination Acoustique/Musique). In the same year he went to Berlin as a guest of the D.A.A.D., and afterwards left for the University of California, Berkeley, where he was appointed professor of theory and composition (1982-1986). Gérard Grisey’s music is often considered to belong to the genre of spectral music, which he is credited with founding along with fellow composer Tristan Murail, although he later disowned the label in interviews and writings. Nonetheless, he spent much of his career exploring the spectrum of tone colour between harmonic overtones and noise. In addition, he was fascinated by musical processes which unfold slowly, and he made musical time a major element of many of his pieces. Learn more about Gérard Grisey in this New York Times article by Paul Griffiths from 1998.

[SPECIAL EVENT] Mar 19, 2016 45th Anniversary Retrospective Celebration

45th anniversary 2016 invite card

Purchase Tickets Or Make a Donation in Celebration 

SFCMP 45th Anniversary Retrospective Celebration
In celebration of our founders Charles Boone, Jean-Louis LeRoux and Marcella DeCray 

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Bring your friends!

 

On Saturday, March 19, begin your evening by celebrating with the San Francisco Contemporary Music Players from 6:00 – 8:00 pm. Join your friends in congratulating SFCMP founders, Jean-Louis LeRoux, Marcella DeCray, and Charles Boone. It is they who created the Bay Area’s leading contemporary classical music ensemble, which for 45 years has been performing world-class contemporary classical music by the leading national and international composers of our time.

Charles Boone, Marcella DeCray and Jean-Louis LeRoux

Charles Boone, Marcella DeCray and Jean-Louis LeRoux

The opening party begins with complimentary wine and beer, cocktails for purchase, small plates, and a display of memorabilia gathered from the founding years. It will be followed by an intimate concert of solo works by George Crumb, John Cage, Lou Harrison and Mark Applebaum performed by Artistic Director Steven Schick and ensemble members Kate Campbell and Karen Gottlieb.

Join your friends, meet new friends, mingle with our Founders and the Players and enjoy a relaxed early-evening celebration.

Participate in a drawing of your choice including a 2016-17 season subscription, original artwork by Hung Liu (valued at $1,800) and more.

Z SPACE 450 FLORIDA STREET SAN FRANCISCO, CA 94110
PUBLIC TRANSPORT AND PARKING

Doors open at 5:45 pm
Performance begins at 6:45 pm

George Crumb, Five Pieces for Solo Piano (10 min.)
Kate Campbell, piano

John Cage, In A Landscape (8 min.)
Lou Harrison, Serenade’ (2 min.)
Karen Gottlieb, harp

Mark Applebaum, Aphasia (9 min.)
Steven Schick, vocalist

Admission is $45 ($15 for students with ID).
Children 14 and under are free.
Admission is free for season subscribers (tickets will be available at will call).

Purchase Tickets Or Make a Donation in Celebration 

check, cash and credit card accepted at the door

Invite your Friends, Join us on Facebook Events

Steven Schick, Artistic Director

Steven Schick, Artistic Director

Percussionist, conductor, and author Steven Schick was born in Iowa and raised in a farming family.  For forty years he has championed contemporary music by commissioning or premiering more than one hundred-fifty new works. He was the founding percussionist of the Bang on a Can All-Stars (1992-2002) and served as Artistic Director of the Centre International de Percussion de Genève (2000-2005). Schick is founder and Artistic Director of the percussion group, “red fish blue fish”.  Currently he is Music Director of the La Jolla Symphony and Chorus in addition to serving as SFCMP’s Artistic Director. In 2012 he became the first Artist-in-Residence with the International Contemporary Ensemble (ICE). Schick founded and is currently Artistic Director of “Roots and Rhizomes,” a summer course on contemporary percussion music held at the Banff Centre for the Arts. He maintains a lively schedule of guest conducting including appearances in this season with the BBC Scottish Symphony Orchestra, the Saint Paul Chamber Orchestra, the Nova Chamber Ensemble and the Asko/Schönberg Ensemble. Schick will be music director of the 2015 Ojai Festival. Among his acclaimed publications are a book, “The Percussionist’s Art: Same Bed, Different Dreams,” and numerous recordings of contemporary percussion music including a 3 CD set of the complete percussion music of Iannis Xenakis (Mode).  Mode released a companion recording on DVD of the early percussion music of Karlheinz Stockhausen in September of 2014. Steven Schick is Distinguished Professor of Music at the University of California, San Diego and he was named Artistic Director of SFCMP in 2011.

Reed Family Presidential Chair in Music, University of California, San Diego
Music Director, La Jolla Symphony and Chorus
Co-Artistic Director, Banff Centre’s Summer Music Program
Artistic Director, San Francisco Contemporary Music Players

Administration and Production

Administration and Production

Lisa Oman, Executive Director
Cheryl Steets, Marketing & Communications Director
Amadeus Regucera, Artistic Production Director
John Jaworski, Production Assistant
Marketing Intern, Kassidy Koyama

Cheryl Steets, Marketing & Communications Director

Cheryl Steets, Marketing & Communications Director

Cheryl Steets is a senior marketing executive with extensive expertise in strategic marketing communications, having led marketing communications teams in organizations of all sizes from start-ups to multi-million dollar international corporations over the past 18 years. 

As Chief Operating Officer of gINT Software in Santa Rosa CA, Cheryl led the organization to quadruple its revenue in a short seven-year period.  As marketing director for Bentley Systems, a global corporation based in Exton, PA, Cheryl oversaw many successful international and multilingual marketing initiatives over a six-year period, including strategic planning, event marketing, and social media outreach with multinational teams. 

In addition to her professional marketing career, Cheryl holds a Ph.D. from UCLA with a focus on ancient languages, specializing in Greek, Latin, Sanskrit and early Persian, as well as a Bachelor’s degree in Classics from the University of Rhode Island. Cheryl is the founder and president of Inner Sunrise LLC, an organization devoted to wellness that offers products and educational information related stress relief and work-life balance. Alongside her extensive business and academic experience, Cheryl brings a deep love and profound appreciation for the glories of music, literature, theater, and fine art.