Percussionist, conductor, and author Steven Schick was born in Iowa and raised in a farming family. For forty years he has championed contemporary music by commissioning or premiering more than one hundred-fifty new works. He was the founding percussionist of the Bang on a Can All-Stars (1992-2002) and served as Artistic Director of the Centre International de Percussion de Genève (2000-2005). Schick is founder and Artistic Director of the percussion group, “red fish blue fish”. Currently he is Music Director of the La Jolla Symphony and Chorus in addition to serving as SFCMP’s Artistic Director. In 2012 he became the first Artist-in-Residence with the International Contemporary Ensemble (ICE). Schick founded and is currently Artistic Director of “Roots and Rhizomes,” a summer course on contemporary percussion music held at the Banff Centre for the Arts. He maintains a lively schedule of guest conducting including appearances in this season with the BBC Scottish Symphony Orchestra, the Saint Paul Chamber Orchestra, the Nova Chamber Ensemble and the Asko/Schönberg Ensemble. Schick will be music director of the 2015 Ojai Festival. Among his acclaimed publications are a book, “The Percussionist’s Art: Same Bed, Different Dreams,” and numerous recordings of contemporary percussion music including a 3 CD set of the complete percussion music of Iannis Xenakis (Mode). Mode released a companion recording on DVD of the early percussion music of Karlheinz Stockhausen in September of 2014. Steven Schick is Distinguished Professor of Music at the University of California, San Diego and he was named Artistic Director of SFCMP in 2011.
Reed Family Presidential Chair in Music, University of California, San Diego
Music Director, La Jolla Symphony and Chorus
Co-Artistic Director, Banff Centre’s Summer Music Program
Artistic Director, San Francisco Contemporary Music Players
photo credit Tom Hwang
Icelandic violinist Hrabba Atladottir studied in Berlin, Germany with professor Axel Gerhardt and professor Tomasz Tomaszewski. After finishing her studies, Hrabba worked as a freelancing violinist in Berlin for five years, regularly playing with the Berlin Philharmonic Orchestra, Deutsche Oper, and Deutsche Symphonieorchester. Hrabba also participated in a world tour with the Icelandic pop artist Björk, and a Germany tour with violinist Nigel Kennedy. In 2004, Hrabba moved to New York, playing on a regular basis with the Metropolitan Opera, New York City Opera, Orchestra of St. Luke’s and New Jersey Symphony Orchestra among other orchestras. She also played with the Either/Or ensemble in NY in close collaboration with Helmut Lachenmann. Since August 2008, Hrabba has been based in Berkeley, California, where she has been performing as a soloist and with various ensembles such as The Left Coast Chamber Ensemble, The Empyrean Ensemble, the ECO ensemble, the San Francisco Contemporary Music Players, and New Century Chamber Orchestra. Since 2009, Hrabba is a lecturer in Violin at UC Berkeley.
Jeff Anderle is a pioneer in the world of low reeds, helping to popularize the role of the modern clarinet and bass clarinet through his innovative and diverse performances, ensembles, and commissions.
He is a founding member of both Splinter Reeds, the Bay Area’s first reed quintet, and REDSHIFT contemporary music ensemble, as well as a member of the San Francisco Contemporary Music Players and the Paul Dresher Electro/Acoustic Band. He is half of the bass clarinet duo Sqwonk, which has commissioned and premiered a significant body of work that infuses aspects of classical, folk and popular music into its own distinct style. As a member of the virtuosic, heavy metal bass clarinet quartet Edmund Welles, he has been featured nationally at festivals and masterclasses.
Jeff is a founding co-director of Switchboard Music, a presenting organization which has featured hundreds of innovative musicians through its annual marathon and concert series. In addition, he makes regular guest appearances with a wide range of music institutions from orchestras to diverse chamber music ensembles.
Jeff teaches clarinet, bass clarinet, chamber music, and entrepreneurship at the San Francisco Conservatory of Music, and has given masterclasses across the country on these topics. He has been on the faculty at U.C. Berkeley and as a member of REDSHIFT holds a guest artist residency at California State University East Bay. He holds a M.M. from the San Francisco Conservatory of Music and a B.A. from University of California at Los Angeles.
Tod Brody (flute) is principal flutist with SFCMP, as well as local new music groups Earplay, Eco Ensemble, and the Empyrean Ensemble, with an extensive career that has included performances of numerous world premieres and many recordings. He is also principal flutist of the San Francisco Chamber Orchestra, the Sacramento Opera, and the California Musical Theater, and makes frequent appearances with the San Francisco Opera and San Francisco Ballet orchestras, and in other chamber and orchestral settings throughout the region. Active as an instructor, Tod teaches flute and chamber music at the University of California, Davis. In addition to performing and teaching, Tod is an active arts administrator, currently serving as Executive Director of the Marin Symphony. He has been a member of SFCMP since 2001.
Oboist Kyle Bruckmann’s work as a composer and performer spans from the Western classical tradition into the frontiers of free jazz, electronic music and post-punk. With more than 60 recordings and a striking array of performance affiliations to his credit (Quinteto Latino, the Stockton Symphony, sfSound, Eco Ensemble, Ensemble Parallèle,the San Francisco Symphony, and others) he has been acclaimed as “a modern day renaissance musician,” and “a seasoned improviser with impressive extended technique and peculiar artistic flair.” Before relocating to the Bay Area in 2003, Kyle was a fixture in Chicago’s experimental music underground, collaborating regularly with electroacoustic duo EKG, the ”noise-rock monstrosity” Lozenge, and the Creative Music quintet Wrack (recipient of a 2012 Chamber Music America New Jazz Works grant). Bruckmann earned undergraduate degrees in music and psychology at Rice University, studying oboe with Robert Atherholt, serving as music director of campus radio station KTRU, and achieving academic distinction as a member of Phi Beta Kappa. He completed his Masters degree in 1996 at the University of Michigan, Ann Arbor, where he studied oboe performance with Harry Sargous and contemporary improvisation with Ed Sarath. Kyle joined SFCMP in 2012.
Hailed as a “brilliant pianist” (Financial Times), Kate Campbell performs frequently as a soloist and chamber musician specializing in 20th and 21st century music, and is at home with styles ranging from thorny modernism, to “sleek and spirited” minimalism, to indie classical.
In addition to her work with SFCMP, Kate is the co-founder and pianist of the interdisciplinary duo KATES, which intertwines new solo piano music with new dance. The duo has been featured at NYSoundCircuit, Dance Conversations Festival at the Flea Theater in New York, and Omaha Under the Radar. As the pianist in the contemporary ensemble REDSHIFT, this year she will continue a guest artist residency at California State University East Bay, premiering works by faculty and student composers. Having recently relocated to the Bay Area, current freelance projects include performances with New Keys, Hot Air, the Garrett+Moulton Dance Company, and Switchboard Music Festival. She is also proud to be on the team of organizers for Omaha Under the Radar Festival, featuring new music, dance, and theater in her hometown. She can be heard on New Amsterdam Records.
Susan Freier (violin) is known in the Bay Area beyond her SFCMP affiliation as a member of the passionate and provocative Ives Quartet (formerly the Stanford String Quartet), of which her husband SFCMP cellist Stephen Harrison is also a member. After earning a degree in Music and Biology at Stanford, Susan entered the Eastman School of Music where she co-founded the widely acclaimed Chester String Quartet. She has been a participant at the Aspen, Grand Teton and Newport Music Festivals, and has performed on NPR, the BBC and German State Radio. Formerly an artist-faculty member at the Pacific Music Festival, Music in the Mountains at Steamboat Springs and the Rocky Ridge Music Center, Susan is currently on the artist faculty of the Schlern International Music Festival in Italy and the San Diego Chamber Music Workshop. Her recordings are on the Newport Classics, Stolat, Pantheon, Laurel, Music and Arts, and CRI labels. She joined SFCMP in 1993.
Percussionist Christopher Froh specializes in promoting and influencing the creation of new music through critically-acclaimed performances and dynamic lectures. Also a member of Empyrean Ensemble, Rootstock Percussion, and San Francisco Chamber Orchestra, Froh has premiered over 100 chamber and solo works by composers from 15 countries. His rich and diverse career also includes performances with the San Francisco Symphony at Carnegie Hall, Gamelan Sekar Jaya at the Stern Grove Festival, and session recording at Skywalker Ranch for a video game about monkeys and pirates. Chris has recorded with the San Francisco Symphony on SFS Media; as a soloist on Albany, Innova, and Equilibrium labels; and as a chamber musician on Bridge Records and Music@Menlo LIVE. As a soloist, he has appeared at festivals and recitals across Japan, China, Turkey, Europe, and the United States including featured performances at the Beijing Modern Festival, Nuovi Spazi Musicali, and Music@Menlo. He studied at the University of Michigan, Eastman School of Music, and Toho Gakuen Conservatory where he was a student of marimba pioneer, Keiko Abe. He teaches percussion and chamber music at UC Davis and CSU Sacramento.
Karen Gottlieb has been acclaimed by the Marin Independent Journal as “an artist who has something extra- the flair, the confidence that makes a mere musician into a star performer,” and cited by the San Francisco Chronicle for her “sumptuous and beautiful” harp solo. Her playing has been praised in The San Francisco Classical Voice as “expertly played” and in the San Francisco Examiner as “particularly impressive.” She is internationally recognized for her musicianship as an ensemble and solo player.
For more than 30 years, Ms. Gottlieb has performed, toured and recorded with such notable ensembles as the San Francisco Symphony – with which she is the recipient of multiple Grammy Awards, San Francisco Contemporary Music Players, San Francisco Girls Chorus, Pacific Boychoir, San Francisco Boys Chorus, California Symphony and the Skywalker Recording Symphony. In her touring with the San Francisco Symphony, she has performed in many of the world’s greatest concert halls including Royal Albert Hall, London; Musikverein, Vienna; Concertgebouw, Amsterdam; Philharmonie Berlin; and with some of the leading music festivals – Salzburg, Edinburgh, London Proms and Lucerne. Within the USA, she has performed in most of the major symphonic venues from Carnegie Hall to Disney Hall and performed under the directions of many of the leading conductors – Claudio Abbado, Herbert Blomstedt, George Solti, Seiji Ozawa, Michael Tilson Thomas, Edo DeWaart, Erich Leinsdorf and Mstislav Rostropovich.
As a freelance artist, she regularly performs with many ensembles, especially enjoying her work in Contemporary music. These include The San Francisco Contemporary Music Players, where she is principal harpist as well as a member of the Board of Directors, Opera Parallele, the Left Coast Ensemble and Earplay. Among the many leading 20th & 21st century composers, she has worked personally and in ensembles with Elliot Carter, John Adams, Lou Harrison, Phillip Glass, John Williams, Gunther Schuller, Jake Heggie, Alan Hovhaness, John Luther Adams & Witold Lutoslawski.
Not confined just to the classical symphonic world, she has also worked with many of the most celebrated of popular culture artists including Ella Fitzgerald, Tony Bennett, Linda Ronstadt & Michael Feinstein. She is the harpist for the Skywalker Recording Symphony, having recorded many of the major movie, TV and Video Game soundtracks, and served as principal harpist with the California Symphony (20 years) and the Cabrillo Music Festival (5 years). She has also appeared with other ensembles: SF Opera Orchestra, SF Ballet Orchestra, The Kirov Ballet Orchestra 1995 USA Tour, The Russian National Orchestra 2010 USA Tour and many of the Broadway Touring companies including A Chorus Line, Hello Dolly, Ann-Margaret Show, Nine, Tap Dance Kid and Woman of the Year. For nearly 20 years she has worked with the San Francisco Symphony’s Education Department in their ‘Adventures In Music’ program, giving more than a hundred concerts each year in elementary schools in San Francisco.
Ms Gottlieb is also trained as a harp technician, servicing harps throughout the West Coast and Mexico. She is a member of the Technicians Guild for Lyon & Healy and Salvi Harps.
Ms. Gottlieb received her Bachelor’s degree at the University of Washington in Seattle and her Masters in Performance from the Cleveland Institute of Music. Her teachers include Alice Chalifoux, Lynne Palmer, Pamela Vokolek, Marjorie Call, Marianna Oberascher and Linda Wood Rollo, including summer studies with Lucile Laurence and Susann McDonald. Ms. Gottlieb is sought after for workshops, master classes, and lectures to amateur and professionals alike. She is on the faculty of San Francisco State University and Mills College, Oakland and has also served as a substitute harp instructor/coach at the San Francisco Conservatory of Music as well as the San Francisco Symphony Youth Orchestra. She maintains a private studio for teaching and advanced coaching.
Karen’s CD can be found here.
A very active cellist in the Bay Area and beyond, Stephen Harrison (cello) is a founding member (with his wife, Susan Freier) of the Ives Quartet (formerly known as Stanford String Quartet) and a member of the faculty at Stanford University. Formerly principal cellist of the Chamber Symphony of San Francisco, the Opera Company of Boston, and the New England Chamber Orchestra, Harrison has performed on National Public Radio, the BBC, and on both German State Radio and the Netherlands State Radio. Stephen has toured internationally and recorded on the Delos, CRI, New Albion and Newport Classics labels. Harrison has been on the faculty of the Pacific Music Festival and is currently an artist/faculty member of the Rocky Ridge Music Center. Most recently he has served as principal cellist of the Mendocino Music Festival, coached at the San Diego Chamber Music Workshop and performed at the Telluride Chamber Music Festival. He earned his degrees at Oberlin College and Boston University, where he received the Award for Distinction in Graduate Performance. He joined SFCMP in 1984.
Violinist Graeme Jennings lives in both Sydney and San Francisco. He is a former member of the legendary Arditti String Quartet and now performs regularly as a member of Australia’s internationally renowned new music group, Elision. He has recently worked as guest concert-master with the Adelaide and Melbourne Symphonies and Associate Concert-master with the Sydney Symphony. Locally, he is a member of Adorno Ensemble. Graeme has served on the faculties of UC Berkeley, Mills College and Stanford Universities and now serves as a Senior Lecturer in Violin and Viola at the Queensland Conservatorium in Brisbane, Australia. Jennings has toured widely throughout the world, made more than 70 CDs, given over 300 premieres, and received such accolades as the Siemens Prize (1999) and two Gramophone awards. He has appeared as soloist with orchestras such as the Royal Concertgebouw, Munich Philharmonic, Berlin Radio, Austrian Radio, Netherlands Radio, French Radio, Junge Deutsche Philharmonie, Queensland and Tasmanian Symphony. He joined SFCMP in 2007.
Peter Josheff, clarinetist and composer, is a founding member of Sonic Harvest and of Earplay. He is also a member of the San Francisco Contemporary Music Players, the Empyrean Ensemble and the Eco Ensemble. He performs frequently with Opera Parallele, the San Francisco Chamber Orchestra, and Melody of China, and has worked with many other groups including West Edge Opera, the Ives Collective, the Paul Dresher Ensemble, Composers Inc., and sf Sound.
Peter has composed instrumental and vocal music, opera and pop songs, as well as music for dance and theater.
Crazed Loner, his singer/songwriter project, had it’s public debut in October 2016.
His latest work, The Dream Mechanic, Four Poems by Carol Vanderveer Hamilton, commissioned by the San Francisco Chamber Orchestra, will be premiered in February 2017.
His recent compositions include Big Brother (2014) for solo piccolo, premiered by Tod Brody with Earplay; Ground Hog Day (2014) for clarinet and string quartet, premiered by the Farallon Quintet; Europa and The Bull (2014), a chamber oratorio commissioned for and premiered at the Mary Holmes Festival at UC Santa Cruz; The Cauldron (2013), commissioned and premiered by tenor Brian Thorsett; Waiting (2012), commissioned and premiered by Earplay; Nautical Man Nautical Man (2011), an album of pop songs; Sutro Tower in the Fog (2011), commissioned, premiered and recorded by the Bernal Hill Players; Sextet (2010), premiered by Sonic Harvest; and Inferno (2008), a chamber opera produced by San Francisco Cabaret Opera in 2009.
Clarinetist Bill Kalinkos enjoys a diverse musical career as a member of critically acclaimed groups such as Alarm Will Sound, Ensemble Signal, Deviant Septet, San Francisco Contemporary Music Players, Eco Ensemble, and Splinter Reeds. Recognized by the Washington Post as a “notable contemporary music specialist,” he has been fortunate enough to work with and premiere pieces by many renowned composers. As an orchestral player, Bill is the principal clarinetist of the Oakland East Bay Symphony, a member of both IRIS Orchestra and the New Hampshire Music Festival Orchestra, and he has performed with The Philadelphia Orchestra and The Cleveland Orchestra. Prior to his appointment as Visiting Assistant Professor of Clarinet at the University of Missouri – Columbia for 2014-15, Bill served on the faculty of the University of California at Santa Cruz and Berkeley. As a recording artist, he can be heard on the Cantaloupe, Nonesuch, Euroarts, Naxos, Mode, Orange Mountain, Albany Records, and Deutsche Gramophon labels., Bill joined SFCMP in 2012.
Originally from Longmeadow, Massachusetts, Adam Luftman is currently the Principal Trumpet of both the San Francisco Opera and San Francisco Ballet Orchestras. Prior to moving to SF in 2007, Luftman held positions with the Baltimore Symphony, New World Symphony in Miami, and Civic Orchestra of Chicago. He has also been a guest artist with many of the countries finest orchestras including The Cleveland Orchestra, Philadelphia Orchestra, Chicago Symphony, and San Francisco Symphony. During the summers, Luftman has performed at the Grand Teton Music Festival, Mainly Mozart Festival, Sun Valley, Tanglewood Music Center, National Repertory Orchestra, National Orchestral Institute, Spoleto Festival, Aspen, and the Pacific Music Festival in Japan.
In addition to his orchestral work, Adam has been a featured soloist with a number of orchestras and is a member of the National Brass Ensemble and The Bay Brass. He has recorded with the Philadelphia Orchestra, San Francisco Symphony, Baltimore Symphony, the National Brass Ensemble, for ESPN Sunday Night Football, and on many movie and video game soundtracks. Luftman is currently on the faculties of the San Francisco Conservatory, UC Berkeley, and San Francisco State University. He has presented masterclasses all over the country including The Curtis Institute of Music, New England Conservatory, Cleveland Institute of Music, New World Symphony, and Tanglewood. He is an honors graduate of the Cleveland Institute of Music and the Interlochen Arts Academy. He lives in SF with his wife Reva and daughter Riley.
Loren Mach (percussionist) is passionate about 21st-Century music. A graduate of the Oberlin and Cincinnati Conservatories, he has premiered countless solo, chamber, and orchestral works. He teaches at the University of California, Berkeley and is principal percussionist of eco ensemble, principal timpanist of San Francisco Chamber Orchestra, and co-founder of Rootstock Percussion. Mach often performs with the San Francisco Symphony and other local orchestras, but he prefers more intimate projects with groups like Empyrean, Left Coast Chamber Ensemble, Opera Parallel, Earplay, and sfSound. In recent summers he has performed at the Ojai Music Festival, the Cabrillo Festival of Contemporary Music, and Music in the Mountains. Mach was awarded a 2011 Investing in Artists grant from the Center for Cultural Innovation. He appeared in two full-length concerts at the 2014 Venice Biennale with eco ensemble, including a special performance of Nagoya Marimbas for Golden Lion lifetime achievement honoree, Steve Reich. Mach’s other passions involve our fundamental relationship to food as a form of communion with others and our interconnectedness with the natural world around us. An avid hiker, climber and cyclist, he cherishes time spent outside as an integral part of being alive.
Roy Malan (violin) serves as solo violinist with the California Symphony and as and Opera Parallèle, and was the long-time concertmaster and solo violinist for the San Francisco Ballet. The founding director of the Telluride Chamber Music Festival, he has an extensive career of performance domestically as well as in Canada, Mexico, Europe, Australia, and Africa to his credit. He is also widely recorded on the Genesis, Orion, and other labels, Roy was formerly a member of Porter Quartet, Stanford String Quartet, Ives Quartet, and the San Francisco Piano Trio, among others. Educated at London’s Royal Academy of Music under Yehudi Menuhin, he also attended Juilliard and the Curtis Institute, where he was a student of Ivan Galamian and Efrem Zimbalist (he authored the latter’s biography). Roy currently serves on the faculty of the University of California, Santa Cruz, plays locally with a string quartet, piano trio, and music festival engagements. He has been a member of SFCMP since 1976.
Oboist Sarah Rathke maintains a busy and enthusiastic performance presence in Northern California and beyond, as a member of the Sacramento Philharmonic and Chamber Orchestras and a regular performer with the symphonies of Marin, Fremont, Santa Rosa, Vallejo, California, Berkeley, Monterey and Santa Cruz. She was a member of the Avenue Winds, a Bay Area woodwind quintet committed to new music, and has also has performed with various orchestras including the San Francisco Symphony and the San Francisco Ballet. Born into a musical family in Alberta, Canada, and a lifelong new music enthusiast, Sarah received her B.M. from Northwestern University where she studied with Ray Still at and her M.M. from the San Francisco Conservatory of Music under John DeLancie. Rathke is a Professor of Oboe at UC Berkeley, and she joined SFCMP in 2012.
Nanci Severance (viola) has been a member of the San Francisco Symphony since 1982. She has performed with many Bay area ensembles, including the Stanford Quartet, Composers Inc, Chamber Music West, the Midsummer Mozart Chamber Players, and the Parlante Chamber Orchestra, with whom she was principal violist. She is also a member of the Donatello String Quartet, and she is a regular guest artist with the Stanford String Quartet. Over the course of her career, Nanci has performed with the Toledo Symphony, the Cleveland Opera orchestra, the Cleveland Ballet, as Assistant Principal violist of the Aspen Chamber Orchestra and rotating Principal of the Spoleto Festival Orchestra. A native of Michigan, Severance received her B.M. from Oberlin College and her M.M. at Northern Illinois University. She has performed with SFCMP since 1986 and became a member in 2008.
David Tanenbaum has performed as a solo guitarist throughout the US, Canada, Mexico, Europe, Asia, and Australia. Solo performances over the course of his career have included the Los Angeles Philharmonic, San Francisco Symphony, Minnesota Orchestra, London Sinfonietta, Vienna’s ORF orchestra, and elsewhere, under the baton of such eminent conductors as Esa-Pekka Salonen, Kent Nagano and John Adams. Many of our most distinguished and interesting composers have written solos for David, including Hans Werner Henze’s guitar concerto An Eine Äolsharfe, Terry Riley’s first guitar piece Ascención, four works by Aaron Jay Kernis, and the last completed work by Lou Harrison. Tanenbaum has toured extensively with Steve Reich and Musicians, in Japan withToru Takemitsu, and has had a long association with Ensemble Modern. He is currently recording the complete guitar works of Sofia Gubaidulina for Naxos. Chair of the San Francisco Conservatory’s Guitar department, David joined SFCMP in 2008.