Sat, Dec 10, 2016 5:00 pm Free San Francisco community event
Join us for a free holiday event linked to “Unsilent Night” celebrations around the world. The original composition by Phil Kline, written specifically to be heard outdoors in the month of December, takes the form of a street promenade in which the audience becomes the performer. Each participant plays one of four tracks of music downloaded to a smart phone, or anything that amplifies music, together comprising “Unsilent Night.” As the SFCMP public ensemble, we will walk a carefully chosen route through San Francisco, creating a unique mobile sound sculpture.
Who’s Invited: Everybody! A family-friendly, public event. Free. When: Sat, Dec 10th, 2016. 5:00 pm – 6:00 pm Rain or Shine! Meet at: Mission Dolores Park. Meet on Dolores Street at the Dolores Park tennis courts by the corner of 18th St. Share: #unsilentnight Twitter: @gosfcmp
Open to ticket-holders 6:45 pm Pre-concert talk with Steven Schick and musicians 7:30 pm CONCERT
At the conservatory is Cafe Creme, where meals, beer, and wine may be purchased prior to the concert. With 10 minutes’ walk is Hayes’ Valley area with several local restaurant choices.
Please join us for a post-concert reception.
In this program, we explore the voice in its broadest sense: from a premiere of a song cycle by San Francisco composer Richard Festinger to an invocation of the voices of nature in Michael Pisaro’s evocative ricefall for 16 players and various resonant metal and wooden objects. Anchoring the program is a pair of composers – one emerging and another established: Kate Soper’s Door features voice and electric guitar alongside a rare performance of Gyorgy Ligeti’s landmark Chamber Concerto, which features the voices of 13 concertante soloists.
Encouraging and mentoring the next generation of new music performers, SFCMP will once again join San Francisco Conservatory of Music students on this program.
Richard Festinger Careless Love(2016) (18’)
featuring Daniel Cilli, Baritone Daniel Cilli, baritone; Peter Josheff, clarinet; Alex Camphouse, horn; Roy Malan, violin, Susan Freier, viola; Stephen Harrison, cello; Kate Campbell, piano
Michael Pisaro ricefall (2010) (18’)
Featuring Steven Schick; Tod Brody; Kyle Bruckmann; Peter Josheff; Alex Camphouse; Kate Campbell; Roy Malan; Susan Freier; Stephen Harrison; Richard Worn; Andrew Friedman, SFCM student; David Tanenbaum; Clio Tilton; Albert Yan, SFCM student; Trevor van de Velde, UC Berkeley student; Zhoushu Ziporyn, UC Berkeley student
Kate Soper Door (2007) (11’)
Amy Foote, soprano; Tod Brody, flute; Kevin Stewart, tenor sax; Karen Hutchinson, accordion; David Tanenbaum, electric guitar
György Ligeti Chamber Concerto (1969) (21’)
Tod Brody, flute; Kyle Bruckmann, oboe; Peter Josheff, soprano clarinet; Alex Camphouse, horn; Richard Worn, double bass; Kate Campbell, piano and celesta; Allegra Chapman, harpsichord/B3 organ; Roy Malan, violin; James Encarnacion, tenor trombone; Clio Tilton, viola; Helen Newby, cello; Andrew Friedman, SFCM student, bass clarinet; Albert Yan, SFCM student, violin
Open to ticket-holders
6:45 pm Pre-concert discussion with Steven Schick and musicians 7:30 pm CONCERT
In a departure from the usual way of presenting Stravinsky’s iconic L’Histoire du Soldat, now approaching its centennial, we will replace the dramatic action and much of the original Ramuz text with improvised interpolations featuring trumpet virtuoso supreme, Peter Evans, who will lead an extraordinary group of Bay Area improvisers, including special guests Ritwik Banerji, Nava Dunkelman, and India Cooke. The result will be an Evans/Stravinsky mash-up in which two musics will speak to each other across a century—responding and resonating, cajoling and interrupting—in a conversation about the eternal issues of good and evil; war and peace.
Igor Stravinsky L’Histoire du Soldat(1918)
Hrabba Atladottir, violin; Richard Worn, bass; Jeff Anderle, clarinet; Dana Jessen, bassoon; Brad Hogarth, trumpet; Brendan Lai-Tong, trombone; Christopher Froh, percussion
Peter Evans Improvised Interpolations of L’Histoire du Soldat(2016) Peter Evans, trumpet (soloist); Kyle Bruckmann, oboe; William Winant, percussion; Steve Schick, percussion; Ritwik Banerji, saxophone; Nava Dunkelman, percussion; India Cooke, violin
About Peter Evans
With Peter Evans on Trumpet, Only the Shape Is Familiar By NATE CHINENNew York Times
His reputation among freethinking trumpet players is ironclad, a function of superhuman precision and a trailblazing technical vocabulary. But Mr. Evans would rather not be known strictly on those merits. “Sometimes it bothers me that the physical intensity and the crazy sounds are what people focus on,” he said a couple of weeks after his concert, over coffee near the carousel in Bryant Park. “Actually that’s not really the point for me.” Mr. Evans, 35, has the look of a systems analyst and the instinct of a righteous outlier, questioning preconceptions at every turn.
Growing up outside of Boston, he studied classical music alongside jazz, a pattern he continued at the Oberlin Conservatory of Music. He was serious about solo trumpet performance even then, drawing from both contemporary composers like Luciano Berio and boundless improvisers like the trumpeter Bill Dixon. “I moved to New York in 2003, and that’s one of the few things I had that was ready to go,” Mr. Evans said. “I didn’t know anybody, but I could sit down at some coffee shop and play a solo set.”
The jazz trumpeter and composer Dave Douglas was among those who quickly noticed Mr. Evans, commissioning him to perform on the Festival of New Trumpet Music. “The kinds of things he was doing, hardly anybody was doing,” Mr. Douglas said. “He has now further developed those techniques into some sounds that are wholly his own. That doesn’t happen too often.” >> Read full New York Times article
Spend time with the Players for a season-end celebration. Re-live your favorite works from the season or hear it for the first time. Enjoy a few hours of conversation with Bay Area’s finest musicians, live music, and of course, some of our region’s finest wine.
SFCMP Ensemble Presenters: Kyle Bruckmann, Jeff Anderle, Bill Kalinkos
In our At the Crossroads series you will discover the music of iconic contemporary classical composers performed alongside cutting-edge emerging composers from California and beyond
Eavesdrop on conversations between Lou Harrison, much loved California composer whose 100th birthday we celebrate in 2017, and two younger generations who share his lifelong interests of exploration and inclusivity. We’ll hear Harrison’s music alongside that of Natacha Diels whose work, like Harrison’s, is steeped in a sense of ritual; Gity Razaz who fearlessly combines technologies and cultures; the prolific and eloquent Jimmy Lopez; and the playfully absurd Annie Gosfield. You’ll listen to composer talks and we’ll perform and record music by the newest generation of composers influenced by Harrison’s work through our SF Search Program: the San Francisco Contemporary Music Players program in support of emerging contemporary classical composers.
These events were made possible in part by a grant from
LOU HARRISON : A CENTENARY CELEBRATION A Weekend Festival
Z Space 450 Florida St, San Francisco, CA 94110 April 21 & 22, 2017
$60 weekend pass, $25 per concert
($15 group of 4 or more) Tickets available soon
FRIDAY, Apr 21, 2017 Z Space 450 Florida St, San Francisco, CA 94110
Film Screening: “Lou Harrison: A World of Music” by Eva Soltes doors open 6:30pm run time 92 min A cash bar serving alcoholic and non-alcoholic beverages is available prior to and during the film
SATURDAY, Apr 22, 2017 Z Space 450 Florida St, San Francisco, CA 94110
Join us for a single event or spend all day with us!
Concert #1 doors open 10:30 am SF Search: Music by three Bay Area composers under 30. Prize Winners announced in February 2017
piano, violin, cello, clarinet
12:30-1:30pm Composer Talks, “How Music is Made” with Jimmy Lopez and Natacha Diels
Artisanal pizza provided for first 50 people. A cash bar serving alcoholic and non-alcoholic beverages is available