Forged in Moscow and refined in London, composer Elena Langer’s music intermingles a contemporary practice with a rich tradition drawn from her Russian upbringing. The product of an imaginative and fearless exploration of thoughtfully conceived sonic landscape, Langer’s work traverses between tumult and the sublime. Her facility with figuration animates the texture of her music with the characteristic rhythms of her Russian homeland, complemented by a musical grammar drawing on the color and bombast inherited from the experimentations of the post-modern era. At times, her music is patient, playing in a sonic-space between well defined and complimentary emotive poles, and at other times, it represents an unabashed, raw emotional energy. Langer’s work evokes an exquisite, sacred stillness struggling to predominate against a discordant and cacophonous present. One could say Langer’s music is a study and reflection of our modern world.
Elena Langer was born in Moscow, coming of age during the decline of the Soviet era. Enrolling at Gnessin Music College, she studied musicology and piano before entering the Moscow Tchaikovsky Conservatory where she pursued composition with Yuri Vorontsov. In 1999 she moved to London, entering graduate studies at the Royal College of Music under the tutelage of composer Julian Anderson. She followed these studies with a doctorate prepared at the Royal Academy of Music under composer Simon Bainbridge. In 2002-03 Langer became the first Jerwood composer-in-residence at Almeida Theatre, London, during which time she composed two short operas, Ariadne (2002) and Girl of Sand (2003), both based on librettos by the poet Glyn Maxwell. Ariadne went on to further performances at Tanglewood Music Center as well as the Britten and Strauss Festival in Aldeburgh, where the opera won the Priaulx Rainier Prize in 2003.