October 5, 2015 – San Francisco, CA
Lisa Oman joins San Francisco Contemporary Music Players.
On October 6, 2015, Lisa Oman will join San Francisco Contemporary Music Players (SFCMP) as its next executive director. Ms. Oman brings more than 15 years of leadership experience in nonprofit administration and 5 years of experience as Executive Director with a performing arts organization. She comes to SFCMP from her most recent work with the University of California, Santa Cruz where she held the position of Finance Director for the Humanities Department.

A trained trumpet player, Ms. Oman founded and managed as Executive Director, Composers and Schools in Concert, a nonprofit designed to expose and engage high school students in the concepts, techniques and skills underlying contemporary music composition. Ms. Oman is passionate about new music and brings a unique understanding of the value of contemporary music and connection between composers, students and teachers.
Ms. Oman said of her new appointment: “I am thrilled to join the San Francisco Contemporary Music Players – a venerable organization with a history of presenting thoughtful, relevant and forward-thinking programming. I admire the excellent musicians at SFCMP, the artistic programming of Dr. Steven Schick, the work of the contemporary composers, and the long history of the organization. I have a great passion for making contemporary music accessible for the next generation and look forward to building on the great outreach and education programs SFCMP already has in place.”
Board President Donald Blais welcomed Lisa Oman, saying, “Ms. Oman’s experience and passion for new music combined with her finance and management acumen make her a perfect fit for SFCMP. We are delighted to welcome Lisa and look forward to working with her.”

News and Events

Michael Gordon

Posted by October 9, 2013

Michael Gordon New York City June 2003

Over the past 25 years, Michael Gordon has produced a strikingly diverse body of work, ranging from large-scale pieces for high-energy ensembles to major orchestral commissions to works conceived specifically for the recording studio. Transcending categorization, this music represents the collision of mysterious introspection and brutal directness.

Gordon’s music merges subtle rhythmic invention with incredible power embodying, in the words of  The New Yorker’s Alex Ross, “the fury of punk rock, the nervous brilliance of free jazz and the intransigence of classical modernism.” Deeply passionate about the sonic potential of the traditional orchestra, Gordon’s orchestral works include Rewriting Beethoven’s Seventh Symphony, a radical reworking of the original, commissioned by the 2006 Beethoven Festival in Bonn and premiered by Jonathon Nott and the Bamberger Symphony; and Sunshine of your Love, written for over 100 instruments divided into four microtonally tuned groups. Under the baton of composer/conductor John Adams, The Ensemble Modern Orchestra toured Sunshine of your Love to seven European capitals in 1999. Gordon’s string orchestra piece Weather was commissioned by the Siemens Foundation Kultur Program, and after its tour was recorded and released on Nonesuch to great critical and popular success. His interest in exploring various sound textures has led him to create chamber works that distort traditional classical instruments with electronic effects and guitar pedals, including Potassium for the Kronos Quartet and Industry for cellist Maya Beiser. Also for Kronos, The Sad Park, written in 2006, uses the voices of child witnesses to September 11th as its subject. Gordon’s monumental, 52-minute Trance, originally written for the UK-based group Icebreaker, was debuted in 1997 and recently performed twice in New York City by the ensemble Signal.

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